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When my adherent and I sat bottomward to watch Music, the authoritative admission of Australian pop superstar Sia, we were able-bodied acquainted of the course of abuse that had preceded it.

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In casting her approved collaborator, Maddie Ziegler, as the film’s eponymous Autistic appearance – and again acceleration bottomward back criticised for accomplishing so – Sia invoked the acceptable ire of Autistic advocates and neurodiversity activists worldwide.

We did not access the cinema with aerial hopes: we’re both Autistic, and able-bodied acclimated to both the tropes of Autism Stories™ in awning media and the misunderstandings they advance in the non-Autistic community. We came, in a way, to buck witness.

Related: Music analysis – Sia’s arguable blur about autism lacks adherence and authenticity

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It may abate some, then, to apprehend that like abundant like Rain Man, Music isn’t absolutely a blur “about Autism”. Instead, it’s a self-improvement anecdotal alternate by account dream sequences – but rather than those absurd moments giving flight to article adorning or illuminating, the blur is anticipated and suffocating. Those dream sequences action in a flat that seems to accept had Fun Fur stapled to the walls in a abundant rush; alike in its moments of fantasy, Music has a cheap, backbreaking quality.

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If its representation of Autism is based on annoyed tropes, so too does the film’s broader worldview (or abridgement thereof) extend abandoned to a array of base stereotypes. These accommodate but are not bound to the brief western abstraction of “Africa”, and unedifying portrayals of Asian Americans, immigration, ancestors violence, rehabilitation programs, the elderly, the poor, and alike the abstraction of music itself.

Nearly everybody in the casting – which includes Oscar-nominee Kate Hudson as Music’s sister, Zu; and Tony-winner Leslie Odom Jr as her neighbour Ebo – moves through the blur as admitting they are activity through a hangover on a hot day. As Ebo, a stereotypically angelic immigrant, Odom Jr has a sad attending in his eyes that suggests he’s authoritative a brainy agenda to access a attestant aegis affairs every time his appearance has to absolute the words, “In Africa …” or, “Back in my apple …” He exists abandoned to admit his acumen so that Zu can bigger herself.

Ziegler’s achievement as Music, however, is the standout disaster, confined us “Autism” the Rain Man way, all tics and whooping and basic ‘A’ Acting. She affects a honking, hiccuping amble occasionally alternate by phrases – “make your eggs”, “braid your hair” – delivered in a articulation that acreage about amid a academy annoyer artful Meryl Streep’s low annals and a dog alive up from dental surgery. One wonders what abutment and advice was offered to Ziegler, aloof 14 at the time of the production. (Sia claims, in a Variety interview, that on set Ziegler bidding affair that “anyone” – apparently Autistic bodies – would anticipate she was authoritative fun of them, and that Sia assured her “honey, I won’t let that happen”. And yet.)

Gallery: 20 band movies critics hated (Espresso)

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It’s abnormally abashing back Autistic characters with circuitous abutment needs are presented as problems to be solved

It’s not that Autistic bodies don’t accept meltdowns, or echolalia, or tics; there are elements of accuracy to Ziegler’s performance, but alike a chock-full alarm gives the adapted time alert a day. Any desolation is baffled by the (mis)understanding of Autism betrayed by Sia’s lyrics: “In my dreams my anatomy does not ascendancy me” are the aboriginal curve sung. Music is able an AAC accessory to aid her communication, but it seems to abandoned accept two phrases installed: “I’m happy” and “I’m sad”. (For context, accepted AAC app ProLoQuo2Go has a absence ambience of 4,750 different words.) Music manages to both belittle Autistic bodies and infantilise them.

Autistic bodies are acclimated to this, but somehow it’s still a shock to see it played out on the big screen: ah, yes, this is what bodies anticipate of us. It’s abnormally abashing back Autistic characters with circuitous abutment needs, like Music, are presented as problems to be solved, at any cost.

At one point, Music adventures a meltdown, and neighbour Ebo rushes in, lying on top of her in an accomplishment to calm her. “I’m crushing her with my love,” Ebo explains as Zu watches on. In reality, the use of decumbent or collapsed abstemiousness has dead dozens of accouchement – generally ones on the Autism spectrum – and afflicted abounding added in US schools, adolescent amends settings and psychiatric facilities. Aloof aftermost year, Autistic boy Eric Parsa died back sheriff’s assembly allegedly placed him in decumbent restraint, demography turns sitting on him, for nine minutes. Eric’s “crime”: experiencing a accident in public.

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Sia claims that casting an Autistic aerialist at Music’s “level of functioning” would be cruel. Putting abreast the actuality that activity labels are anachronistic and abhorrent (indeed, “functioning” is rarely static), actuality nonverbal doesn’t necessarily beggarly defective in agency. This begs the question: was it so important that Music’s characterisation comedy into academic notions of what Autism “looks like”? What if “in [her] dreams”, Music’s anatomy is, actually, absolutely the aforementioned as it is in absolute life?

But let’s accept that Sia is actuality aboveboard in acceptable us that a nonverbal performer, casting above-mentioned to Ziegler, begin the assembly action too stressful: she could accept still casting an Autistic actress. Aloof this accomplished year abandoned we’ve apparent Lillian Carrier and Kayla Cromer allure audiences in Josh Thomas’s Everything’s Going To Be Okay, while Australian Autistic self-advocate and TikTok brilliant Chloe Hayden is a brilliant on the rise. It’s not that Autistic bodies are underrepresented in acting classes (quite the opposite); added that filmmakers aren’t accommodating to accord them a chance. If Sia was able to, as she claims, “cast thirteen neuro-atypical people” in acknowledging and featured roles, why not extend that access to the role of Music herself?

The catechism of whether or not it’s adapted for actors to “crip up” continues to aggravate Hollywood. There are casual examples of non-Autistic actors and actors after affliction assuming these characters with adroitness and address (Patty Duke in The Miracle Worker, Wesley Snipes in The Waterdance, Claire Danes in Temple Grandin). These attenuate performances crave sensitivity, months of preparation, and abutting assignment with admiral with lived experience.

The performances “of” Autism that absolutely accelerate me, however, are the ones that are absolutely authentic. Pixar’s 2020 abbreviate Loop, about a nonverbal Autistic girl’s day out, featured the agreeable articulate achievement of Madison Bandy, a adolescent Autistic woman the filmmakers casting through a neighbourhood art centre. There are affluence of added examples.

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It appears from Music’s artifice and songs, however, that Sia had no ambition of absolutely apery an Autistic experience. Perpetuating the angle of a affluent –read non-Autistic – fantasy apple trapped by the beef bastille of the Autistic anatomy diminishes us all. Autistic bodies with circuitous abutment needs accept amount alike after the song and dance. Music is aloof addition hamfisted person-first anecdotal that depicts Autism as article “suffered”, by Autistic people, but alike added so by those who are “brave” abundant to adulation them.

It may be appetizing to beam it off as a “so bad it’s good” affected classic, but clashing The Room or Sharknado, Music has the ability (in arena to both Sia’s and Ziegler’s all-inclusive audiences) to do untold accident to the assets fabricated by Autistic self-advocates the apple over.

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