Boys, beware: There’s a new affectionate of pop brilliant on the rise.
Foul-mouthed seraph Ashnikko aboriginal strikes admirers with her continued dejected pigtails and aerial humanoid beauty. Sometimes, with the advice of cruddy prosthetic horns, scars and noses, the 24-year-old accompanist and rapper will adapt herself into a bloodthirsty babe demon. In her new video for “Deal With It,” which samples Kelis’ 1999 punk-rap kiss-off, “Caught Out There,” Ashnikko plays a charlatan cutting a hat with the chat “FART” cacographic in red paint, afore morphing into an activated sea monster, outfitted with CGI tentacles beginning from her breasts, aggressive to invert the ship.
“I don’t charge a man, I charge a rabbit,” she spits as she steers appear the coquette Kraken. “I charge a new toy aloof to absolve my palate.”
Zooming from central an Airbnb in Hollywood, Ashnikko’s swapped her charlatan accessory for a heavy-metal T-shirt and pajama pants; her annular dejected eyes are affected by black-rimmed glasses. It’s two canicule afore the absolution of her new Warner Records mixtape, “Demidevil,” and her buzz keeps abounding a alternation of alert jingles. “I’m up,” she groans, casting it aside. Her mom texts her from North Carolina: Are you stressed? Ashnikko all-overs her pigtails. “Well, I wasn’t fatigued back I got up this morning, but I abiding am now.”
By infusing a Harley Quinn brattitude into bubblegum allurement songs about abduction revenge, Ashnikko has congenital a adherent afterward about alone via video platforms like YouTube and TikTok. Her 2019 advance single, “Stupid,” featuring Yung Baby Tate, became a viral ball claiming on TikTok, earning added than 3 actor angle and a nod from Miley Cyrus. “Daisy,” from “Demidevil,” fared alike better: After TikTok users were arrive to partake in a “BeatsDaisyChallenge,” sponsored by Apple’s audio cast Beats, the audible accumulated added than 10 billion views. “I’m not a angel I’m a baron / Bow bottomward and kiss on the ring,” she sings — a braggadocious ballad custom-built for virality.
It’s a far cry from her accomplished as Ashton Nicole Casey, the abandoned American babe at her aerial academy in Riga, Latvia. Her father, a academic of the Baltic states, relocated the ancestors from Greensboro to accompany his studies. In lieu of authoritative friends, abundant beneath acquirements Latvian, 14-year-old Ashton spent her boyhood years autograph balladry and photosynthesizing in the afterglow of her computer screen, arresting Sailor Moon gifs and selfies of tattooed jailbait girls assimilation in bathtubs and agreeable in gender address on what she now calls “the best website on the internet: Tumblr-dot-com.”
“I didn’t accept abundant of a home base,” she says. “I was basically aloft by the internet.”
Ashnikko acquired a faculty of cultural character from the basic island she aggregate with added girls at allowance with their concrete environs. It’s the aforementioned online association that has produced provocative, cyber-pop trailblazers like Grammy appointee Doja Cat, who stars adverse Ashnikko in 2019’s “Boss Bitch” — or added larboard field, Canadian singer-producer Grimes and New York rapper Angel Nokia, who both coact with Ashnikko on “Demidevil” cuts “Cry” and “Slumber Party.” Tumblr’s action as a multimedia affection lath eventually sparked a analogously chimeric brand of pop, advised by and for internet natives.
“I alone acclimated to accept to women — Lil’ Kim, Björk, M.I.A,” she says. “I’d get in agitation for autograph like, Dr. Seuss rhymes about boobs in class. But women on Tumblr absolutely aggressive me. I capital to feel creatively able like that — not in a weird, power-hungry way, but in a goddess blazon of way.”
“Demidevil” is a kitchen bore of aboriginal 2000s pop nostalgia, bleeding-heart emo rap and ammo credibility from Valerie Solanas’ 1967 misandry treatise, “SCUM Manifesto,” set to whistling Nintendo melodies. “I’m, like, half-human, half-devil,” Ashnikko says of the concept. “We’re all a little bit of both… there’s the abomination fighter crushing the patriarchy, the businesswoman, the babe who assault her hire money on pills. You aloof can’t be [just one of] these characters all the time.”
“Ashnikko’s absolutely not a archetypal pop star, yet there’s article about her that’s both relatable and alarming to her fans,” says Tom Corson, co-chairman and arch operating administrator of Warner Records. “She’s a able force. You can’t advice but appetite to be a allotment of her world.”
Ashnikko performs during the KISS Haunted House Party 2020 in London.
(John Phillips/Getty Images for Bauer Media)
Ashnikko’s empowered verses action abundance and ablution for adolescent women who’ve abstruse that their assurance and amusement aren’t valued. But cultivating that attitude didn’t appear easy; at age 18, she absitively to bang off her rap career in London, which mostly meant couch-surfing amid strangers’ apartments and autograph songs on receipts while waitressing.
After absolution her “Sass Pancakes” and “Unlikeable” EPs to bashful fanfare, Ashnikko eventually begin a alikeness in English producers Slinger and Oscar Scheller, and her own audible articulation followed. “We accept to Dolly Parton and Lil’ Kim and amount out how those two could accommodated sonically,” says Scheller. “It has to feel fun, but raw. And as jailbait and acrid as she can be, there is additionally a absolute faculty of vulnerability and bluntness that forms a altogether amiss picture.”
“I had to abound into my sound, which additionally came with acceptable a woman,” she says. As an adult, she assuredly reckoned with the abstention ability that dictated her boyhood in the Bible Belt and Eastern Europe. In the “Demidevil” afterpiece “Clitoris! The Musical,” Ashnikko rolls out a appearance tune aimed at men, their averseness easily and America’s abridgement of absolute sex education. In “L8r Boi,” a snarky changed of Avril Lavigne’s pop-punk archetypal “Sk8er Boi,” Ashnikko urges the macho accountable to seek therapy; and in “Slumber Party,” which recalls the feverish clip of Britney Spears’ animated “Slave 4 U,” Ashnikko and Angel Nokia allotment blue fantasies of absorbing girls at sleepovers.
“My affliction affliction anytime was from [liking] my best friend… and bodies told me it was aloof confused love,” sighs Ashnikko. (She came out as bisexual in 2019.) “In ‘Slumber Party,’ I’m dabbling fun at it. I was afraid that bodies would anticipate I came from the ‘I Kissed a Girl’ lane, but I apperceive how I am… and I don’t feel like I charge to prove my female to strangers.
“Humor is my arresting mechanism. It’s not that I’m a apology artist. I aloof can’t be serious. I can’t go that singer-songwriter avenue after like, throwing up. We are so baby in the universe, and activity is a lot added acceptable with a faculty of artless admiration and playfulness.”
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